The debut EP from Lux Aeterna Records is already drawing attention. Ave Maria (Radio Edit) is approaching 50,000 streams while Adoramus (Radio Edit) has passed 26,000, showing that this project’s mix of sacred music and melodic techno is connecting with listeners worldwide.
The release includes two reinterpretations. Ave Maria reshapes Caccini’s classic with vocals from Liliana Sofia Coelho and the Pequenos Cantores children’s choir, set against the textured production of Italian duo Ebmath. The result respects the original while presenting it in a modern electronic form. Adoramus blends devotional chant with steady rhythms, creating a track that feels reflective yet uplifting. Together, the pieces show how tradition and electronic production can work in balance.
For Padre Guilherme, the EP is part of a broader vision. His performances have ranged from World Youth Day in Lisbon to Afterlife at H° Ibiza, Medusa Festival in Spain, Zamna Festival in Chile, and Cristo Redentor in Rio de Janeiro. Each stage has given him the chance to share a mission: that sacred and electronic music are not opposites but complementary languages that can both inspire and unite.
Ebmath, the duo of Andrea Tambè and Simone Mancin, contribute their melodic techno sound, shaped by a mix of nostalgic influences and modern techniques. Their role adds depth and texture, supporting Guilherme’s aim of bridging faith and music in a way that feels both authentic and forward-looking.
Veneremur Et Adoremus marks a confident start for Lux Aeterna Records and a clear statement of intent for its collaborators. The early response shows there is an audience ready for music that respects tradition while speaking in today’s language.
After Veneremur Et Adoremus, Padre Guilherme continues forward with renewed focus.
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